"Her stage presence is intriguing and fascinating, not only because of the high level of her performance and precision, but also due to the artistic choices that led Chadash to create an original movement field of her own, which does not belong to the main streams choreogrpahers creating around her."
"Chadash's solo achieves to get to the essence of movement and great clarity, and there is something refreshing about it, not trying to fill the void with movement. The fact the despite the intimacy, she does not reach to eros and fervor, keeps her creation full of secrets"
"These two pieces by Israeli dancer-choreographer Roni Chadash were the most concise and potent dance performances I've seen in years."
"Chadash's choreography was intelligent and visually arresting. And she's an artist who dares to be tough with her audience."
"On-site, Chadash’s strong subsidence worked: a constantly thrown back posture, which could only see the chin and chest instead of the face, the tight shirt-panties costume in gray and that cheeky young-woman radiance of vague Sylvia Plath flair, highest present, modern and sophisticated – right down to the Chadash familiar revolt of body parts."
"I left the theater totally amazed in front of a dance performance, which was at the same time idiosyncratic, introvert, enigmatic, strange and tormented"
"Chadash brings the dance back to the initial wonder of being inside a body and the awkward, wonderful, tortured, funny intimacy of a creature / man / woman with her own body. She does not let go of this existential question. What to do with all of this body?"